London – March 1989
We are in some sort of small warehouse. It’s pitch dark, except for black light glowing on Day-Glo painted walls. I’ve got a bad sinus infection. My head hurts so badly I can hardly see. Manuela and I are the only girls in this place. A bunch of guys dressed in baggy pants and fluorescent high top trainers are dancing like weirdos. Spastic shadows twitching to the worst music I’ve ever heard.
“This is acid music,” Manuela says. Her eyes blaze. “This music is God.”
I sigh in annoyance. Rome, Venice, Paris, and now London. We are getting on each others’ nerves, but we are stuck with each other until tomorrow morning when I go back to LA. I have to be at the airport three hours early because the terrorists who blew up the PanAm plane are threatening to blow up another one this weekend, Easter weekend. I just want to go back to the hotel and sleep.
Manuela grabs my hand and leads me through back alleys in search of some club called Heaven. We wait in line for a long time. We are dressed in the funky clothes we bought on High Street. She’s wearing bellbottoms that are so ugly I can hardly look at them. She says my leather hat and leather boots with skull buckles are outdated. So American. “No one listens to hard rock anymore.” She stifles a snicker. “That’s for old people.”
The music throbs around us as we meander endless corridors. Up and down. Around and around. Manuela is on the hunt for some musician she’s got a crush on. S’express. Bomb the Bass. People and groups and music I’ve never heard of. “There he is!” Manuela gasps. She walks up to a small-boned man of Asian descent. He is gay, but she’s hopelessly smitten.
I stand back while she talks to these famous people. They look at me with respect when she tells them I’m from Michigan. I guess this music actually started in Detroit. Figures. The musical bombardment is relentless. Sadistic. I clasp my battered head in my hands and stifle a scream.
“This crap will never become popular in America,” I growl, as we finally make our way to the exit. “It sucks!”
“You’ll love it, too. One day.” Her deep brown eyes glitter. “You will always remember this night.”
I sigh and shake my head. The vow to myself is etched in steel. Never, ever.
Two years later, I sought out the merry asylum. My London story was a source of envy to my friends, who were fanatics about this new music. They heard a rumor, which beckoned us on a quest for the ticket seller. We found him at a tiny party store in Hollywood. The middle-aged black man screened us with nonsensical questions. “Are you sure you know what you know?” He bugged his eyes out and pulled his lips into a carney grin.
I tried to keep a grip on my escalating buzz. “You’re totally messing with me.”
“Just trying to figure out if you finished high school.” He winked at me and gave us the precious treasure map.
It led us to an abandoned warehouse in South Central LA. Interspersed in the vast crowd were people standing with arms crossed over their heads. “That means they’re selling X,” one of my friends whispered. “Ecstasy.”
We passed them by, preferring the natural source of bliss we had ingested earlier. Smiley faces and stuffed animals and Dr. Seuss hats. It was a carnival of love. I believe it was that night when the music took hold forever. The repetitive beats brought me to a trance. It burrowed deep inside my cells, the friendliest of parasites.
Just before sunrise, flashing red lights surrounded the warehouse. Sirens. We scattered into the streets, breathless with glee.
I danced whenever I could, which wasn’t often. Work and responsibilities and financial challenges kept me from going out on a regular basis. Smaller clubs were my preference. The deejays were enigmatic figures hidden in booths. They were genies who wove tracks together into a vibrant tapestry. A magic carpet ride. The clubs were dark, smoky, spartan. They were simply receptacles for bodies moving together in the dark. There is a special intimacy in sharing a dance floor with strangers. Deep and warm, but without physical contact, or even acknowledgment. We shared a space, but our awareness was turned within. Glowing glances were exchanged when we caught the same groove and surfed it to shore. That shared euphoria. No other intoxicant was necessary. The dance floor is the only place where I’ve truly felt oneness with humanity.
Poznan, Poland. 2007. He took the stage and exclaimed. “I am Polish Electro Boogie Boy!” There are so many other characters that I will always remember. Nameless and their faces are obscured with time, but their dance was unforgettable. You can know so much about a person by the way they allow themselves to move. They way they inhabit their bodies.
The places I’ve danced. Nights that became mornings. Gatherings that brought me home to myself. In my days of deepest depression, I believe that it saved me. London. LA. Berlin. Chicago. Budapest. Noumea. Rio de Janeiro. Phoenix. And Sydney.
Sydney, Australia – September 1995
In Sydney, we clean up. We splurge on new clothes. Dig our makeup out of the bottom of our stinky backpacks. Unfurl. We made it.
“A toast.” Maya holds out her palm to reveal three tiny squares of paper. “To surviving Papua New Guinea. And to Sydney. Magnificent Sydney!”
Amelia, our Australian friend, places one on my tongue, communion-like. The body of infinity. Forever and ever. Amen. Slow, deep breaths. Focus. With courage and respect. A new expedition looms ahead. Inter-dimensional. Be ready.
“Peace, Dearie. It will be beautiful.” Amelia takes my hand. “Let’s go dance.”
Into a labyrinth of murky rooms. Psychedelic frescoes shimmer on black walls. A tingle, then radiance. And away I go. A giggle moves through me. This effervescence. So different from the tainted, bone-jarring LSD trips of yesteryear.
Maya and Amelia whirl away. Into the shadows. A gaunt man wearing a yellow polyester blazer and red pants sits down next to me. He is surely younger than I am, but his eyes hold the weariness of eons. He spins a glittery plastic scepter in his hand. Round and round. Others of his kind slouch against walls and huddle in corners. Eyes downcast. Rumpled velvet and smeared makeup. Carnival carnage.
“Who are you?”
“We are the Vibe Tribe.” He lays the scepter across his lap. “Some call us The Ferals. A band of futuristic gypsies. We’ve spent the last few years on the road together.”
Tendrils of music swirl around me and seep into my pores. Liquid resonance. My heart swells and ascends.
“This morning we will pack up our tipis and leave for Tasmania. And then it’s over. We are weary of the road, each other, the dance. The Ecstasy has stopped working. We tried.” A heavy pause. “Have we, as humans, lost the ability to band together forever?” He shakes his head.
Crestfallen and bewildered souls. A girl wearing a white dress with big black polka dots stares out at the world through spooky black-rimmed eyes. Her manic staccato cackle is consumed by the music.
Maya’s whisper in my ear. “She scares me.” I turn my head to respond, but she’s dancing with Amelia on the other side of the room.
Feral boy speaks. “Some will wander forever alone, unable to re-integrate into society. That’s the price paid for searching. The longer you’re away, the harder it is to return. Maybe it’s better to die than to live in the past.”
I take his hand. “Dance with me.”
He pulls his hand away. “It’s all over for me.” He crumples against the wall and closes his eyes.
I sweep my eyes around the room. A slight, shiny distortion, like cling wrap, warps my view. Behold the membrane that separates me from other humans. The wall of There. Glide onto the dance floor. Into Maya and Amelia’s open arms. I smile into the face of a man with long black hair and limpid brown eyes. The shimmer of his hands down my back. The slow, deep seep of his essence into the cells. The eternity of our friendship unspools before us. He looks down at his hands and then back at me in wonder. My languid pirouette. The music throbs an obscene warmth though me. I lift my arms in surrender. Undulate myself into dissolution. Whatever you are out there, I am yours. Take me. The membrane dissolves.
Tentacles of sound pull the dancers tighter in its grasp. Polka Dot Girl staggers to the dance floor. Spastic, jerky dance moves. Ferocious eyes. A battered marionette struggling to break free. Those who seem wild are often just imprisoned by a different force.
I close my eyes. And see. My atoms are iridescent aqua blue spheres. I am the sky. They morph into tiny blue bubbles that float away on my laughs. I am joy. I am no more.
Drops of pink dawn drip through the cracks in the heavy black curtains. From the softest illumination. The music’s velvety tendrils recede. Back to the luminous abyss from whence they came. We shake ourselves off. Reassemble.
Feeling at home in solitude is a gift. I gather this to my heart in a gentle embrace. Thank you.
The Vibe Tribe coalesces. A bouquet of wistful wilted wildflowers. They pause in the doorway. A silhouette of resignation. And then they are gone.
The 1990s became the 2000s. Then came the organization. The marketing and promotion. The plastic surgery, the solarium tans, the skimpy costumes. The pouting. White shirts and waxed chests on the male variety. The deejays became superstars. The turntables morphed into computer programs. The awareness shifted to the exterior. The music became a stagnant pond, sub-genres blended together to appeal to the masses. The waves went flat. The soul took refuge underground. I lost the motivation to find it. It was inevitable.
Vapors of laser phosphorescence dissipating in the sunrise. Always a beautiful, bittersweet sight. It was time to go home. Satiated and covered in dust and smoke and dried sweat. Grateful and already wistful. You could buy the music, play it at home or in the car, but the vibe was impossible to replicate. You could dream of next time. Eventually, it would be the last time. We are all middle-aged now. Those of us who danced together all those years ago. It doesn’t matter what became of us. We are still grooving together in the vast arena of memory. The dance continues. For eternity.